This is like the nativity set my parents put up every year. When I was a child it reminded me that Christmas celebrates a real event, mysterious and sacred. I am putting out mine now. Today I found the history of this Nativity display on the Glencairn Museum site:
“Christmas Manger Set,” USA, early 1940s. This cardboard tabletop Nativity was published by Concordia Publishing House from illustrations first produced by artist George Hinke. A base is provided with special tabs to hold the 17 lithographed figures upright; each tab is carefully labeled so that even a child can assemble it. Hinke was born in 1883 in Berlin, Germany, where he trained as a painter. He immigrated to the United States in 1923. Hinke specialized in religious subjects and nostalgic scenes of small-town American life. He is best remembered for his illustrations of children’s books such as Joseph’s Story, which tells the Nativity story from Joseph’s point of view, and Jolly Old Santa Claus. Collection of Glencairn Museum.
” Beautiful music, beautiful camera work, like a kaleidoscope at times.” This video is delightful.
Terez Rose writes about this much loved piece of music:
In the second act of Engelbert Humperdinck’s opera, Hänsel und Gretel, composed in 1892 and first performed on December 23, 1893, there is a treasure that will live forever in the hearts of countless listeners. Called “Abendsegen” in its original German and “Evening Prayer” in English, it’s also known as “The Children’s Prayer.” In the opera, it is what Hansel and Gretel sing before they go to sleep, alone and lost in the woods. The song conjures so many powerful emotions and nuances: the bravery of two scared kids; the comfort of a ritual song or prayer; their faith and hope, and the beauty of all these things (not to mention the stunning music) that arises, like a mystical force, to blanket and protect the two lost children. Humperdinck and his sister, Adelheid Wette, who wrote the libretto, have made it more than “a mystical force.” Fourteen angels take the stage in the opera, in the scene following the children’s song, where they gather round and protect the children, a prayer come to life.
When at night I go to sleep,
Fourteen angels watch do keep,
Two my head are guarding,
Two my feet are guiding;
Two upon my right hand,
Two upon my left hand.
Two who warmly cover
Two who o’er me hover,
Two to whom ’tis given
To guide my steps to heaven.
Written for the fourth Sunday in Advent, but it would be a shame to only hear it once a Christmas season. Here is an English translation:
My choir’s first Advent Carol, this coming week:
From the forward to the 2006 reprinting of President Calvin Coolidge’s autobiography:
Man’s life is laid in the loom of time
To a pattern he does not see,
While the weavers work and the shuttles fly
Till the dawn of eternity.
Some shuttles are filled with silver threads
And some with threads of gold,
While often but the darker hues
Are all that they may hold.
But the weaver watches with skillful eye
Each shuttle fly to and fro,
And sees the pattern so deftly wrought
As the loom moves sure and slow.
God surely planned the pattern:
Each thread, the dark and fair,
Is chosen by His master skill
And placed in the web with care.
He only knows its beauty,
And guides the shuttles which hold
The threads so unattractive,
As well as the threads of gold.
Not till each loom is silent,
And the shuttles cease to fly,
Shall God reveal the pattern
And explain the reason why
The dark threads were as needful
In the weaver’s skillful hand
As the threads of gold and silver
For the pattern which He planned.
Author Unknown –
Give thanks in all circumstances for this is the will of God in Christ Jesus for you.
I Thessalonians 5: 18